Clare Lydon: I was made redundant; now I’m a full-time author

The bestselling lesbian romance novelist gives her advice to would-be writers.



Clare Lydon has won legions of fans with her funny, true-to-life lesbian romance novels, including the brilliant Nothing To Lose and the extremely popular All I Want series.



We caught up with Clare to find out just what it takes to become a professional lesfic author.


DIVA: Did you always want to be an author?

CLARE LYDON: I always had a book on the go, but everyone said getting a book published is very difficult. And it used to be. But now with the advent of independent publishing, the gatekeepers are gone.


So how did you get into it?

I was a journalist for 14 years. Then I was made redundant. I thought, do I go back into trying to get another job in a magazine or online or should I see what I can make of these novels? I got told that I was going to be made redundant in November and they didn’t make me redundant until April. My boss got made redundant over Christmas so I said to her, “What do I do for those four months?” And she said, “You can do what you like, I’m not here.” I actually finished London Calling while I was being paid at my job.


Wow - you were a paid novelist with your first novel!

I’d never even thought about that! Then they gave me gardening leave so I wrote another book. My mate’s got a really nice house in Spain with a pool so I lived the writing dream. I got made redundant, had a month in Spain and started my next novel there. I finished that first draft in three months.


Did you approach traditional publishers?

The traditional lesbian publishers are all in the US so I sent it off to Bold Strokes and they said they could take three months to get back to me. In the meantime, I went to L Festive and I met Kiki Archer, Clare Ashton and Angela Peach. They’re all independent publishers. They were saying you get more control and you get more money, so it all sounded quite positive for a control freak like me. And then I got a rejection letter from Bold Strokes on Christmas Day.


Oh my god, that’s so rude! Who even sends an email on Christmas day unless it’s to your brother in Australia??

I know! I couldn’t believe that somebody had taken the trouble to email me on Christmas day. So then I thought, “I’m just going to publish this.” No-one was more surprised than me when it started to sell.


How did you manage to sell so well so quickly?

Kiki Archer and a couple of the other authors put it out on their social media and they were really helpful, giving me advice and answering my questions. With my journalism background, I did some press releases and got in contact with some websites. It just took off. Without independent publishing, it wouldn’t have been possible.


What are the main differences between independent and traditional publishing?

With independent publishing, you can choose your cover and your title. And the big thing is royalties. If you go traditional publishing, you’ll get about 15% of the cover price and if you go independently published, you’ll get 70%. I’m making a living out of this now. It’s my full-time job. I don’t think I would be able to do that if I’d gone via the traditional route. I’m, in retrospect, happy that Bold Strokes rejected me, if not on Christmas day.


Well, it seems like it’s all worked out fabulously. Why did you decide to write lesbian romance novels in particular?

It was what I read. They were mainly based in America and I thought I’d like to read something based in London. I wanted to see a story that reflected my life. Not to say that I didn’t enjoy all the US novels that I read, but a lot of them seemed to be based on ranches with cowgirls - not something that I could necessarily connect with. Even though I enjoy a good love story and I do harbour dreams of wearing a stetson and some cowboy boots.


You’ve written a lot of novels in a short space of time. What’s your secret?

Everyone says that. When you see your friends or family, you can see their faces go, “Oh no, it’s Clare!” and then they go, “I’ve got to tell you I haven’t read your latest book. You’re writing too quickly!” Since I’ve gone full time, I’ve really gone full throttle. But really, you only need to aim for 2000 words a day five days a week and you’ve got a first draft within six weeks.


Do you ever hear from readers who’ve been touched by your books?

Yes. It’s always very humbling when somebody contacts you and tells you that their book’s made a difference in their life. I remember the first time I picked up a lesbian romance novel. It was when I was travelling. I was in a hostel in New Zealand. There was a free library and there was a lesbian romance book in there in the cabinet. My mind was blown! It is amazing when you see your life and your love reflected back in the pages of a novel.


What advice would you give to aspiring authors?

If you really want to publish your novel, it’s never been easier. There’s so much help on websites and blogs and videos that will guide you through the process. I’d say, just go for it. And read what you want to write. If you want to write lesbian romance, read what’s popular now and see what you think they’re doing right.


How are you feeling about taking part in the inaugural DIVA Literary Festival?

I’m very excited. I think it’s terrific that DIVA’s shining a light on the lesbian fiction community in the UK because it hasn’t really had a voice for quite a while. I’m excited to go along as an author and as a reader.


Sign up to Clare's mailing list and receive a FREE lesbian romance here.


Clare's books are all available now on Amazon.

Clare publishes her novels with Kindle Direct Publishing (KDP). It’s Amazon’s independent publishing programme, which helps authors publish books worldwide on the Kindle store – as e-books and in print. It is a fast, easy and free way for authors and publishers to keep control and publish their work almost instantly, and enables authors to earn up to 70% royalties. To find out more, visit

She will be appearing at The DIVA Literary Festival and Awards, which take place 3-5 November at the Hilton Metropole, Birmingham NEC. Book now at


Only reading DIVA online? You're missing out. For more news, reviews and commentary, check out the latest issue. It's pretty badass, if we do say so ourselves. //


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