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Review: The Artist

Silence is golden in this homage to early Hollywood

Eden Carter Wood

Tue, 03 Jan 2012 14:09:56 GMT | Updated 1 years today

Already starting to pick up awards nods around the place (six Golden Globe nominations, for example), director Michel Hazanavicius' The Artist, a silent, black-and-white feature about the rise of the "talkies", is a genuinely remarkable film.

 

Opening in Hollywood in 1927, the film depicts the fortunes of handsome actor George Valentin (Jean Dujardin), a silent movie superstar with a super cute - and very clever - Jack Russell sidekick. Unable to adapt to changes in the industry, George refuses to make the switch to talking pictures and decides to finance and star in his own silent film. At the same time, lovely young extra Peppy Miller (Bérénice Bejo) is being discovered and is flourishing in the new, chatty medium. The Artist follows the fortunes of both, which are, as you might expect, somewhat intertwined.

 

Key to the film's success is the fantastic score. The lack of spoken dialogue naturally draws attention to the music, and to the artfulness of the film itself. It's a different way of being told a story, and that difference is refreshing and welcome.

 

The Artist is a rich, beautiful movie, an homage to silent film. For fans of silent films this is an absolute treat; for those new to them, it could well serve as a great introduction. Here's hoping it wins an Oscar nomination (or several) and with it a few new fans for silent film who may be inspired to go back and discover some vintage gems.

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