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COOKIES & PRIVACY POLICY

TV Review: True Love

The BBC’s five-part serial zeroes in on the messy side of love, including a same-sex teacher-pupil affair

Dora Mortimer

Thu, 21 Jun 2012 13:41:57 GMT | Updated today

The third part of Dominic Savage's drama True Love aired on Tuesday. The series, which interweaves the lives and loves of six different characters in short 25-minute close-ups, could be subtitled 'is never easy' with the messy business of love and lust driven to the fore.

 

Episode three introduces Holly (Billie Piper) a young teacher defeated by her rowdy six form English class. But hiding in the madding crowd is Karin, a strikingly beautiful student played by Kaya Scodelario. From her magnetic performance it looks like Scodelario will join Dev Patel and Nicholas Hoult as the stars of Skins class of '07.

 

Holly is drawn to Karin and enjoys the attention (Karin is the only pupil to turn up at art club). They visit a gallery together and things get a little off-timetable at Holly's flat. Holly ends it with the big-orange-car-owning married man she's seeing and the two women confess their love.

 

Savage has clearly taken his cues from Notes on a Scandal, with Piper playing the artfully dishevelled plummy-vowelled teacher - all good intentions but little control. Guesses are he's seen Weekend too, with the muted production and improvised dialogue owing a lot to Andrew Haigh's recent film.

 

The most seductive part of this episode (apart from Scodelario's eyes) is the Margate landscape. Savage dines off several money shots of the beach. Is the whole thing a bit too stylised? In short, yeah. But for all its style there is a hint of substance.

 

What's refreshing about this episode is that the lesbian thing isn't made out to be a huge deal. No one has a meltdown because they realise they fancy another woman. The sex isn't made out to look a) awkward or b) like porn. The drama here is student on teacher rather than girl on girl.

 

Savage might come under fire for producing such a romantic sketch of a problematic relationship. He niftily avoids dealing with the exploitative or damaging repercussions of the situation. It ends with Holly and Karin swanning out of the school gates clasping hands. In reality, they'd be clawing through a media storm of photographers and police officers.

 

This episode was over romanticised and refused to deal with the severity of its content. But isn't all true love reckless and inward facing until the bubble bursts?

 

Watch the episode on iPlayer by clicking here.

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