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COOKIES & PRIVACY POLICY

ART REVIEW: Archival Tales - Uncovering Inter-war Black Histories

A new exhibition which includes documentation of Indian women involved the British Suffrage movement excites Nazmia Jamal

Mon, 21 Nov 2011 09:18:52 GMT | Updated 1 years today

The current foyer display at The Women's Library, curated by Dr Gemma Romain, is something of a revelation for those of us who have an inkling that black history in Britain didn't start in the 1950s but have been hard pressed to prove otherwise up to now.

 

The first time I read Amrit Wilson's seminal Finding a Voice: Asian Women in Britain I nearly wept. Here was a history I had never been told, out of print and difficult to find, about the involvement of Indian women in radical movements and actions such as the Grunwick Strike. It gave me a feeling of ownership (in terms of my feminism and union activity) and belonging (to a radical narrative of this country) that nothing else could. How much more exciting then, to be faced with evidence of Indian women in the suffrage movement, based in London!

 

During her time as the Vera Douie Research Fellow at the Library Gemma spent a brief but intense period of time working with the archives held by the Library, focussing on the interwar period, with the specific remit of exploring ways in which Black (in this case African and Indian) individuals and histories either appear in or are absent from these records. Gemma looked at, read through, and most significantly - catalogued literally thousands of documents, photographs and other ephemera.

 

The resulting exhibition - a collection of 20 pieces ranging from a postcard of white actors blacked up for a performance of Uncle Tom's Cabin to documents recording the Jamaican feminist Una Marson's speech on black women in Britain facing racism at the British Commonwealth League conference of 1934 - is small but deeply satisfying in their representation of the appearances and absences of women of colour in the collection. The objects that most capture the imagination are from the personal collections held by the library; photographs of Agnes Maude Royden, a feminist and peace activist, on a trip to India to campaign on the issue of Indian Women's Rights; a letter written by feminist and later, Liberal policitian, Dame Margery Corbett-Ashby in the midst of the racism scandal that rocked London's feminists in the wake of a very problematic book on Indian Women ; and a troubling illustration from a 1937 issue of Vogue which implies that a small black boy can be an excellent accessory to your fancy dress costume...

 

In previous years I have been disappointed by the way The Women's Library seemed to sideline black and Asian history to foyer exhibitions like the small (but excellent) Striking Women: Voices of South Asian workers from Grunwick and Gate Gourmet exhibit and Heart of the Race conference on Black British Feminism which took place in 2010, while the main exhibition space has been a sea of whiteness that often told a skewed or segregated version of our feminist herstory with white women front and centre and brown women outside by the door. Happily, this no longer seems to be the case. The current exhibition in the main space All Work and Low Pay: The Story of Women and Work refreshingly (and reassuringly) seems to show the female workforce of Britain very much in all its diverse glory, and is well worth a look too.

 

The Women's Library, London Metropolitan University, Old Castle Street, London E1 7NT.

The foyer exhibition runs until 31st January 2012. Admission: Free.

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